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Seke Chimutengwende makes a piece with no fixed steps and no fixed order, four dancers working it out.
Fringe
At The Place.
The conceit is a last work - going back to the beginning of what dancing and music are and starting again. Four dancers come and go through gaps in the audience, figuring out how to begin, connect, change and end, and leaving the traces of scenes and relationships rather than the scenes themselves. The composer Jamie McCarthy is on stage with them, playing an electro-acoustic score built on the way weather changes, slowly and then suddenly.
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