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A solo play in the chapel that puts the Pre-Raphaelites' favourite model back at her own easel.
Art & design
Elizabeth Siddal sat for Millais's Ophelia and married Rossetti, and is remembered for both rather than for the painting she did herself. Celine Devalan wrote and performs this seventy-five minute piece, directed by Caroline Darnay, as an argument that she was an artist held back by a circle that preferred her as a face. She is buried here, in the Rossetti family grave. In the chapel at 19:30. £18, which includes a glass of wine.
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